but the results can be very rewarding. I actually love the photo above, even though he is crying. I think it is pretty cute. The boy in the photo above is named Parker. He is 14 months and is the son of one of my former coworkers in the ER. I always heard stories about this little guy, and was delighted to spend the afternoon with Brandi, her husband, Joshua, and their adorable son.
In the beginning, Parker was pretty cooperative, but he soon tired of the game. I think I am getting better at photographing children the more I do it. I am learning to watch the family interact with each other and get more candid moments. They tend to be the most telling images anyways and the children are less fussy. I always try to get a few good ones of everyone looking at the camera in a traditional portrait style, like above, and then I just wait for memorable candid moments of the family all together and each parent with the child.
I got to the shoot a little early to scope out spots. The family wanted some by the water and we had talked about doing a picnic scene, so it was easy to start there. As I was searching the park for a new look, I came across railroad tracks and loved that idea. I had the family walk along the tracks and just shot away. With children, you just have to keep shooting to catch the right moments. They don’t always have to be smiling, because so many expressions on children, or adults for that matter, can be sweet and telling. Parker cried a lot, but I was able to capture many photos of him smiling. It just takes patience.
After this, we moved on to individual shots of little Parker. They had brought a chair with his name on it and overalls. The chair was precious and the overalls were perfect. As soon as I saw them, I knew I wanted to do a few more by the railroad tracks, and they turned out to be some of my favorites. When taking portraits, you must remember to go with the flow and let new ideas come to you. Sometimes the more forced ideas that take a lot of planning are not as good as the spur of the moment ones, like a little boy in overalls and no shirt by the railroad tracks.
I am also loving my new 85 mm 1.8 lens. I highly recommend this lens for portraits. It just gives such a nice shallow depth of field, really making my subjects pop from the background. If I could switch lenses fast enough to never shoot with a zoom lens again I would. I love prime lenses and vow to use them whenever possible!
At the end, they asked to take some photos at Morning Call, eating beignets. Thanks for the wonderful idea, Brandi. It was a great way to close the shoot and the afternoon. Nothing like sugar to make a kid happy again and get in a few more smiles.




































































































































































































































































































































